artist, researches on consciousness, time and the edges of organic/synthetic objects


3 15 16 16 5 18

3 15 16 16 5 18 is an exploration on how we perceive time and how our aesthetic experiences are formed.

It incorporates generative techniques through code, physics simulation as well sound synthesis, oscillation, sound performance.

It's also a dialogue between organic and synthetic. What's virtual? What's real?

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Other experiments

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